Starting up.
A project is the shoot. Inside it, one day folder per shoot day.
Paste the crew link your DP or producer sent you. Joining here, inside the installed app, keeps your marks in the copy that never gets cleared.
Your marks sync to the production's Set Notes whenever this phone has signal. With no signal everything keeps working and syncs later.
Name the whole shoot, not the day. Frame rate only affects how timecode is written, so match what the camera runs.
Everything stays on this phone. Nothing is uploaded, and it keeps working with no signal.
Point a phone camera at this.
A day is a folder. Its scenes live inside it, and its day info (camera, look, audio) is shared by all of them.
Leave empty for one all-day scene that holds everything.
Right for almost every day. Your boxes are jammed to time of day and so is this phone, so they already agree.
The header the editor and colorist read before the marks. Everything is optional; it saves as you type and syncs with the crew.
Find any timecode display: the slate, a Tentacle in the Setup app, the camera, the recorder. Type a time a few seconds ahead of what it reads, then tap the moment the display catches up.
Reading now: --:--:--:--
If your boxes are on time of day, this matches them without any of the above.
Shifts every mark on this day. Use it when the readout is close but consistently early or late.
Copy this, then paste it into an email or a note to get it off the phone. Downloads are blocked inside this preview, so copy is the way out.